Wednesday 3 August 2011

Schools Out for the Summer: Review of Horrid Henry and Arriety

The six weeks of summer holidays means an influx of children's films being released at the cinema. So, I joined in the spirit of the classroom escapees and saw 2 kids films in 2 days and the difference was staggering. A dismally disappointing Horrid Henry: The Movie and the enchanted Arriety, could not be further apart in quality, but then again what did I expect...

This summer I have been working in a cinema and whilst tearing stubs and serving popcorn I have been tortured by a number of screens in the foyer which play a loop of trailers for upcoming films. One of trailer

s in this loop is for Horrid Henry. Despite selling many copies of the series whilst working at W.H. Smiths, I have never read a Horrid Henry book, but the trailer had me really excited and hooked me into the next part of the franchise. I REALLY wanted to see it despite the embarrassment it would no doubt bring when entering the auditorium unaccompanied by an appropriately aged child. However, I was not going to be discouraged by a socially awkward situation as, as far as I was concerned, a film with Angelica Houston, Richard E. Grant, Noel Fielding, and Jo Brand would not only cater for adults, but it would also be incredibly funny.

I was wrong on both accounts.

Houston had a useless Scottish accent, Jo Brand was in it for a total of about 90 seconds, and Richard E. Grant got upstaged by Matthew Horne's pirate attired dancing at the end. It was a seriously disa
ppointing performance considering the mixture of great talent, and a best-selling franchise. I fear that Pixar have set the bar so high through their perfect mix of adult and kids humour and emotional connection, that it is difficult for other kids films to come close. Its clichéd talent show, stereotypical characters, and its inability to play upon its most prized asset - a crew of great comedic actors - made it a rather dull hour and a half, with only a few moments of glory.

Horrid Henry's failure to excite me, undoubtedly was not helped by my seeing Studio Ghibli's newest releas
e Arriety the night before. The Japanese film-house have made a little gem of a film with this tale of friendship based on the classic children's story of the borrowers. It saw great actors such as Geraldine McEwan and Mark Strong voice the UK version of the film to a great avail. The story was nothing new, and the animation no more wonderful than earlier ventures of the Ghibli studio. Its music however is perfect and truly magical, igniting the whole film. It is just a to
uching story, if not particularly exciting. The intricate detail is wonderful and the minimal humour refreshing in a culture that assumes that all children want is to laugh whilst at the cinema. Although no way near the likes of Howl's Moving Castle, or Spirited Away in originality it is an enjoyable and comfortable film that all generations can enjoy.

Children's films can be accessible and enjoyed by adults, but they should always be approached with caution.




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